Directors Kayden Kross and WC Walker take viewers on a journey exploring the intoxicating world of friction. What happens when two diametrically opposed people are forced to coexist, even for a moment? More often than you might realize, sexual sparks ignite a carnal bonfire that consumes even the strongest resolve.
“House Arrest” (Freya Parker, Dwayne Foxxx):
The crushing weight of isolationism is enough to drive even the most grounded person crazy. Able to push them over the edge of decency as they long for human connection. That’s what Freya Parker is dealing with after being sentenced to house arrest for her crimes. One day, after weeks of loneliness, she makes a bold move. Everyone should see what Freya is into. She is an incredible talent and never disappoints. Her ability to light up the screen and stoke the libido into frenzy is virtually unparalleled, and she’s also very well behaved. Here she is an absolute vision, swallowing Dwayne Foxxx’s huge cock effortlessly with her pussy and vocalizing her ecstasy through sexy gasps and moans. Viewers will get a look at her amazing ass in cowgirl, they’ll be able to ogle her cute tits in missionary, and they’ll marvel at her impressive oral skills. But the best moment in the scene is Freya sitting on Dwayne’s face.
“Curtain Call” (Kira Noir, Alex Jones):
Kira Noir is one of the best burlesque performers in the industry. The sexual tension and excitement in her shows is legendary, and people travel from far and wide to experience her brand of hedonism. How can an artist so completely capture the aura of sex on stage? Kira has a secret. She keeps herself sidelined for weeks on the road, building up an insatiable internal need for sexual release; then she finds a happy slew to let loose on. This evening it is bartender Alex Jones, who is overjoyed to have this opportunity. Kira absolutely destroys Jones here. She rides him like a gunslinger escaping a gang, nearly finishing him off several times before he can even start. She gives him some respite by letting him fuck her from behind while pulling her hair, but it’s not long before she’s back in control and making him vibrate with her master pussy. Finally he creams her pussy as she smiles wryly at him.
“Selfish Nest” (Blake Blossom, Seth Gamble):
Blake Blossom and Seth Gamble have reached the end of their marriage. There is nothing left between them but contempt, hatred and disgust – a perfect recipe for an intense hate-fuck. And folks, that’s exactly what this scene is: all resentment energy all the time. There’s a moment near the beginning where Blake screams in frustration as she lies on the ground, which is a masterful piece of visual storytelling, and the entire scene is built on that tone of that brief moment. Seth and Blake destroy each other here. Seth fucks Blake’s pussy as hard as he can, slapping her ass and forcing her to submit to his wrath early on. However, Blake takes full control when she mounts Seth in reverse cowgirl, and she controls the action from then until the end, forcing Seth to give her exactly what she wants as he moans in pleasure. Finally, he covers her huge tits with his hot cum, leaving Blake the smiling victor as their coupling ends forever.
“Amber Would Never” (Amber Moore, Mick Blue):
If you were a woman, could you give up your freedom? Your desk? Can you completely submit to a man’s will? Be his toy? Its something? Amber Moore would never do that. Amber Moore would do that alone. When Amber makes the choice to give herself to Mick Blue, she gets exactly what she bargained for. It’s more than just the fuck of your life; it’s the satisfaction of becoming the embodiment of someone else’s pleasure. Mick uses her in any way he sees fit, and Amber revels in the truth that her body is his satisfaction. That her sex is his medicine. That her unwavering submission is his aphrodisiac. He pumps her pussy relentlessly while keeping a firm grip on the chain around her neck, but in reality it’s Mick who is chained to the drug that is Amber’s submission.