Lily Nelson (Clara Mia) is a young charismatic actress who has made a name for herself on television with a huge daytime drama hit. Now she is about to star in a major Hollywood movie and is ready to gain worldwide fame. However, against the advice of her agent Kenza (Anissa Kate), Lily has accepted the lead role in a play in London that will run for a few weeks. How will this new venture affect Lily’s career and reputation?
Veteran Dorcel director Liselle Bailey directs this story about the allure of the stage. Bright lights, big cities and adoring crowds often instill a sense of adventure in someone, and that can lead to spectacular discoveries. Bailey uses that backdrop to take viewers on a journey of sexual awakening, told through the eyes of a young woman newly introduced to her inner slut. The cast includes industry bombshell Anissa Kate, while sultry vixen Clara Mia takes the lead role. But I fell in love with Anita Rover and Alice Martin again; Dorcel has a thing for those two ladies, and I want them to keep appearing in the feature films.
The film opens with Kenza getting excited after Lily tells her she’s going to audition for a play, despite having just wrapped production on her incredibly successful daytime soap opera. Kenza thinks Lily should immediately go on a press tour and prepare for mainstream stardom, but headstrong Lily decides she wants to pursue the trade instead. Frustrated, Kenza decides to let off some steam with a raunchy romp with Sam Bourne and Tommy Cabrio. Anissa is an absolute vision and I could watch her have sex all day long.
Meanwhile, Lily finds the audition for the play quite stimulating. Although the performances on stage are spectacular, it is the action backstage that captures her attention. She walks in on director Luke Hardy giving Anita a private audition, and in a moment of hedonism, she decides to participate. The result is a whirlwind of sex with Hardy pounding both ladies with reckless abandon. Clara looks heavenly as always, while Anita holds her own as Luke pumps her from behind.
Later, we see Lily bonding with her castmates at a bar, and Marie (Alice Martin) eventually gets to work with bartender Max Deeds. She does a reverse cowgirl clinic and gets a powerful pounding in delicious missionary, leaving her breathless and shaking. This woman has a bright future ahead of her.
The premiere of the piece goes off without a hitch and the press eats it up. Lily gets a lot of shine. As the play continues to tour, Marie finds herself drifting away from her boyfriend. One night at the club, she and Anita meet after Marie’s boyfriend gets a little too handsy with Lily. This is a dynamite scene and really gives both ladies a chance to showcase their talents. Anita licks Alice’s pussy as she presses her against the bathroom wall, and a hungry Alice buries her face in Anita’s pussy from behind in response. Alice’s face being smashed between Anita’s cheeks is a beautiful sight, and the way the two ladies caress each other afterwards is much more romantic than expected.
In a surprising twist, Lily finds herself in the arms of Alice’s boyfriend (Alex Romero). He fucks her desperately, as if his life depends on this last chance to grab heaven. Lily willingly accepts his hunger and opens her body to his every desire, matching his energy stroke for stroke.
I really enjoyed the sex in this film and the way the story highlighted the ensemble cast. Clara really knows how to tickle the libido, and her scenes alone are worth the price of admission here. But Anita and Alice also provided some pretty stimulating performances. If you’re a fan of either of these ladies, you need to give “Idol” a watch.