Award-winning director Seth Gamble takes viewers on a sexual escapade through the fabric of American decadence in his cinemacore project ‘Timeless’.
Seth understands the appeal of porn fantasy. He can embrace the dirty, carnal nature of man, and he can embody the escapism that comes with theater. In ‘Timeless’ Gamble chooses to explore the latter.
Violet Starr, Seth Gamble (1920s):
The Flapper. The kind of women who refused to be controlled by the archaic social expectations of Western society. The scandalously short skirts, the close-cropped hair, the excessive makeup – what red-blooded American man could resist her free nature and willingness to be every dirty fantasy he’s ever desired behind closed doors? Excellent costumes and a vibrant set, accompanied by the silent film story, create a compelling tone that’s easy to fall into, and Violet Starr and Seth do the rest. Violet melts the camera with her eyes as she rubs her pussy wet before dragging Seth to bed so he can ravage her. The action is fast and furious, with Gamble smashing Violet’s pussy to pieces across the room (don’t miss the standing missionary, because holy smoke!).
Queenie Satin, Seth Gamble (1930s):
Queenie Sateen has a golden voice. Big kudos to Seth for recording her original song “What Good Could Come of Love?” in this story. Even bigger kudos to Queenie for absolutely slaying the performance on stage. The 1930s were all about escaping the burden of the Great Depression, and that meant enjoying swing jazz and spirits in ballrooms and chic lounges. And what better way to escape the bleak reality of the 1930s than by finding a decadent lady to share the evening with? Again, this scene gets the job done. The setting feels authentically 1930s, just like the costumes. And the sexy serenade is the perfect appetizer for hot sex. Seth’s face almost disappears between Queenie’s breasts and legs, and he fingers her into a furious squirting orgasm before pounding himself over her pussy to a bountiful finish.
Jane Wilde, Alexis Tae, Seth Gamble (1940s):
The war is over! America rejoiced when her young men returned home from the brutal front lines of the European and Japanese wars. The classic pin-up girl was an inspiration to the Allied soldiers. She was depicted on the side of their fighter planes, tanks and ships. She entertained them between battles with live variety shows at military installations in foreign lands. And when the Axis powers were finally defeated, the pin-up girl waited to welcome the brave American soldier home with a warm smile, a grateful heart and open legs. Jane Wilde and Alexis Tae work Seth over this with hedonistic enthusiasm. They hungrily inhale his hard cock and enjoy his grateful moans of pleasure. Alexis rides him like the American hero he is, while Jane rewards him by letting him hammer her pussy like a motorcycle piston.
Jill Kassidy, Seth Gamble (1950s):
America began to embrace the rebellion of youth culture in the 1950s, tantalizingly exploring (these girls are now showing their knees!) and the idea of staying up late at the drive-in and getting up with ‘nothing good’. Gamble, a young man entranced by fantasies of “his girl” dancing by his side at the sock hop in a sexy lingerie hidden beneath a cute crinoline, walks into a boutique with the intention of buying something for the moment (when it occurs) .Jill Kassidy, who is about to close up shop, decides to model some pieces for him at the last minute – and they are off to the races Jill is carefree and enjoying the entire scene the naughtiness of sex with a complete stranger at work. Her lewd smile as Seth bends her over the counter to grab her from behind is the tapestry of the whole story.
With a dynamite cast and dynamite sex, “Timeless” is the best vignette I’ve seen in a long time. Seth knows how to tell a story, whether he uses dialogue or visual beauty.